Roman's Revenge by Nicki Minaj Lyrics Meaning - The Roaring Rage of the Rap Alter Ego - Song Meanings and Facts (2024)

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  1. Music Video
  2. Lyrics
  3. Song Meaning
    • The Roman Empire Strikes Back: An Alter Ego’s Wrath
    • Decoding the Ferocious Wordplay and Brazen Punchlines
    • A Symphony of Egos: The Weezy Factor
    • The Hidden Meaning: Power Moves and Industry Takedowns
    • Lingering Lines: The Lyrics That Echo Beyond the Beat

Lyrics

I am not Jasmine, I am Aladdin
So far ahead, these bums is laggin’
See me in that new thing, bums is gaggin’
I’m startin’ to feel like a dungeon dragon
Rah, rah, like a dungeon dragon
I’m startin’ to feel like a dungeon dragon
Look at my show footage, how these girls be spazzin’
So f*ck I look like gettin’ back to a has-been?
Yeah, I said it, has-been
Hang it up, flatscreen
Plasma
“Hey Nicki, hey Nicki,” asthma
I got the pumps, it ain’t got medicine
I got bars, sentencin’
I’m a bad bitch, I’m a c*nt
And I’ll kick that ho, punt
Forced trauma, blunt
You play the back, bitch, I’m in the front
You need a job, this ain’t cuttin’ it
Nicki Minaj is who you ain’t f*ckin’ with
You lil’ Fraggle Rock, beat you with a pad-a-lock
I am a movie, camera block
You outta work, I know it’s tough
But enough is enough

Rah, rah, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Like a dungeon dragon, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Like a dungeon dragon, like a dungeon dragon

Rah, I eat your face off
You nigg*s sweet as pie like this is a bake-off
I love Nicki’s curves, swing at the baseball
Err, I’ll beat your brakes off
Hi, I’m Tune, salt in the wound
I’m up in this bitch, pardon the goons
Throw dirt on the floor and get caught in the broom
I like a big wet puss* with a fork and a spoon
I got money and the power, a woman in the shower
And she don’t want nothing but my Johnson, Howard
Sour Dies in the Swisher Sweet, sweet and sour
You’re scared? Go to church, say your prayers, read a Bible
Ah, I don’t know what y’all on
Please, I go in like “Goin'”
Drink in my hand with the world in the other
The Uzi go “Brr”, stutter
Life is a puzzle, jigsaw
All I do is win, my name should be Victor
Old-ass rappers
I’m still the sh*t, old-ass Pampers
Rah, rah, like a dungeon dragon
Foie gras, I hear you ducks is quackin’
I was just dumpin my ashes, I’ma puff it and pass it
I’m a f*ckin’ assassin, you should jump in the casket

Is this the thanks that I get for puttin’ you bitches on?
Is it my fault that all of you bitches gone?
Should’ve sent a thank-you note, you little ho
Now I’ma wrap your coffin with a bow
“Nicki, she’s just mad ’cause you took the spot”
Word, that bitch mad ’cause I took the spot?
Well, bitch, if you ain’t sh*ttin’, then get off the pot
Got some nigg*s out in Brooklyn that’ll off your top
I hear the mumblin’, I hear the cacklin’
I got ’em scared, shook, panickin’
Overseas, church, Vatican
You at a standstill, mannequin
You wanna sleep on me? Overnight?
I’m the motherf*ckin’ boss, overwrite
And when I pull up, vroom, motorbike
Now all my nigg*s gettin’ buck, overbite
I see them dusty-ass Filas, Levis
Raggedy Anns, holes in your knee-highs
I call the play, now do you see why?
These bitches callin’ me Manning, Eli
Manning, Eli, these bitches callin’ me Manning, Eli

Rah, rah, like a dungeon dragon
Rah, rah, like a dungeon dragon
Rah, rah, like a dungeon dragon
Like a dungeon dragon, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Rah, rah, rah, like a dungeon dragon
Like a dungeon dragon, like a dungeon dragon

Roman, Roman, stop it, stop it
You’ve gone mad, mad, I tell you, mad
You and this boy Little Weezy
What’s going on? They’ll lock you away
They’ll put you in a jail cell, I promise
Take your mother’s warning, Roman, please
Back to bed, run along, let’s go, come on
Wash your mouth out with soap, boys

Full Lyrics

Nicki Minaj’s ‘Roman’s Revenge’ is an explosive track where she assumes the persona of Roman Zolanski, her abrasive and confrontational alter ego. Fueled by an aggressive beat and impeccably sharp rhymes, this song stands out as an emblematic display of lyrical prowess and theatrical brilliance. The track, featuring the equally spirited Lil Wayne, creates an arena where Minaj can freely express and disperse her fury, targeting critics, naysayers, and the complacency of the status quo in the music industry.

As the beat marches on relentlessly, listeners are swept into an auditory battlefield where Minaj’s words serve as her primary weapons. This song is a chaotic blend of self-assertion, artistic bravado, and a deep dive into the psyche of her Roman persona. Let’s delve into the nuances that make ‘Roman’s Revenge’ a track that is as captivating as it is ferocious.

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The Roman Empire Strikes Back: An Alter Ego’s Wrath

At its core, ‘Roman’s Revenge’ is a testament to Minaj’s creation, Roman Zolanski, and the freedom he represents for her self-expression. Roman is brash, bold, and unapologetic, rebelling against any perceived slights with a volcanic vehemence. When Nicki declares herself as ‘not Jasmine, I am Aladdin,’ she distances her identity from the damsels and aligns herself with the protagonists of her own narrative, implying that she’s the master of her fate and the architect of her success.

Her rapid-fire delivery and aggressive posturing effectively create a siege-like atmosphere, evoking imagery of a potentate dominating her territory. The repeated references to ‘like a dungeon dragon’ are not just memorable for their sonic punch but emblematic of Roman’s unbridled energy; it’s a creature both feared and revered, much like how Minaj aspires to be perceived within the rap game.

Decoding the Ferocious Wordplay and Brazen Punchlines

Minaj’s lyrics in ‘Roman’s Revenge’ are a dense tapestry of metaphor, simile, and double entendre. Terms like ‘dungeon dragon’ and ‘bad bitch, I’m a c*nt’ are delivered with a cunning mix of humor and power, as she uses vulgarity and shock value to bolster her assertiveness. The song takes jabs at competitors and detractors – the ‘has-beens’ and ‘Fraggle Rock’ references aren’t just clever insults, they’re deliberate statements highlighting her position at the pinnacle of the rap hierarchy.

Even more impressive is her ability to switch flows and tempos, moving from staccato bursts to elongated threats seamlessly. The ‘you lil Fraggle Rock, beat you with a pad-a-lock’ and ‘I got the pumps, it ain’t got medicine’ lines punctuate the verse with visceral imagery and play on words that elevate her lyrical craftsmanship well above the common fray.

A Symphony of Egos: The Weezy Factor

The inclusion of Lil Wayne adds a combustible element to an already incendiary track. Wayne’s verses complement Minaj’s abrasiveness with his characteristic idiosyncratic flair and unhinged metaphors. His references, including ‘life is a puzzle, jigsaw,’ add depth to the track’s theme of complexity and conquest in music and life.

Lil Wayne’s presence is not merely for namesake; it acts as a supporting force for Minaj’s Roman, intensifying the track’s raw energy. Whenever he jumps in with lines like ‘old-ass rappers, I’m still the sh*t, old-ass Pampers,’ the track escalates from personal grievance to an all-out declaration of generational dominance.

The Hidden Meaning: Power Moves and Industry Takedowns

‘Roman’s Revenge’ operates as more than a vessel for verbal assault; it digs into the politics of the music industry. Minaj’s alter ego disposes of the notion that she should be gracious or complacent. The line ‘Is this the thanks that I get for puttin’ you bitches on?’ reflects the frustration of being underappreciated despite the singer’s influence and the work she’s put into fostering new talent.

Behind the track’s aggressive front, there lies a deeper narrative of empowerment and territorial claim, echoed in the lines ‘I’m the motherf*ckin’ boss, overwrite.’ Minaj uses her alter ego to articulate the strife of navigating fame and assert her ultimate authority and autonomy in a tumultuous industry. This song is her catharsis and her coronation in equal measure.

Lingering Lines: The Lyrics That Echo Beyond the Beat

Certain lines in ‘Roman’s Revenge’ resonate long after the song ends. ‘You wanna sleep on me? Overnight? / I’m the motherf*ckin’ boss, overwrite’ captures the underdog mentality turning into unabashed sovereignty. These are not only catchy phrases; they’re potent affirmations of self-worth and competitiveness that fans and aspiring artists echo.

Another gem, ‘I call the play, now do you see why? / These bitches callin’ me Manning, Eli,’ not only illustrates Minaj’s ability to strategize her next move like a quarterback but also highlights her prowess to alter the game’s dynamics to her favor. Each lingering line is a taunt, a challenge, and ultimately, a showcase of Minaj’s lyrical ingenuity.

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Roman's Revenge by Nicki Minaj Lyrics Meaning - The Roaring Rage of the Rap Alter Ego - Song Meanings and Facts (2024)

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